When I shared an early draft of A Season for Killing Blondes, a beta reader complimented me on my use of red herrings and suggested the title could also be considered a red herring.
Puzzled, I asked for clarification.
She explained, “A red herring is a literary device that leads readers toward a false conclusion. Glancing at the title, I expected to read a thriller about a serial killer who had designated a specific time period for the Rampage.” She winked. “That’s definitely not the case here.”
A bit worried, I wondered if I was misleading my readers. Would they expect a thriller and be disappointed when my novel turned out to be a cozy?
She assured me that the title was well-suited to a cozy mystery that featured a brunette lottery winner as the primary suspect and four dead blondes killed during a two-week period. And she doubted that anyone would be disappointed at the end.
After our conversation, I decided to do more research into red herrings.
Several theories exist regarding the origin of the expression. Some believe that it refers to the use of a kipper (strong-smelling smoked fish) to train hounds to follow a scent. Another theory points to escaping convicts who used red herrings to throw off hounds in pursuit.
Many of the plots in Agatha Christie’s novels contain red herrings. In And Then There Were None, we assume a character who goes missing is the killer. Later, when his body is washed up onshore, we realize that his absence was a red herring that misled the other characters and the readers.
In The Da Vinci Code, Dan Brown expertly uses the character of Bishop Aringarosa as a red herring throughout the novel. While reading, we can easily imagine him as the mastermind of the church conspiracy and are surprised when the real culprit is revealed. Intrigued by the bishop’s unusual surname, I probed further and learned that “Aringarosa” translates into English as “red herring.”
Another famous red herring example appears in The Final Problem by Sir Arthur Conan Doyle. While walking through the Swiss mountains with Sherlock Holmes, Dr. Watson receives a message that an Englishwoman at their hotel is in urgent need of health care. He rushes back to the hotel and discovers there is no Englishwoman. The message was a red herring sent by the villain Professor James Moriarty as a ruse to isolate Sherlock Holmes at the edge of a cliff.
To keep my readers guessing while reading A Season for Killing Blondes, I introduced a gaggle of suspects, among them a yoga teacher with anger management issues, a lecherous photographer, two “50something” mean girls, and fourteen ex-boyfriends.
From the reviews, I gathered that I had succeeded in maintaining the readers’ interest until the final chapters. My favorite comes from The Romance Reviews: “A well-written, character-driven murder mystery that genuinely had me scratching my head until the very end wondering who dun’ it!?”
Do you have a favorite red herring to share?